La graine et le mullet (Cous-Cous)
An
extraordinary film in the sense that it plays out more like a documentary but
is in fact very carefully staged and full of wisdom about people and
families. It takes the story of a
Tunisian father who lives in France and when ‘made redundant’ decides to put
his efforts and little money into turning a derelict boat into a cous-cous restaurant.
His ex-wife will cook for it, his present lover who has a small hotel gets the
huff and various members of the family support the project to greater and
lesser degrees. The person who most helps him is Rym, his lover’s daughter.
Played by Hafsia Herzi, she and Habib
Boufares make an odd and compelling couple as they battle local banks and
bureaucracy.
Both actors, but particularly Herzi, are superb and give us
characters that are so real and credible that we hardly feel we are watching a
film. These are real people with no
concessions for cinema. The father is
quiet to the point of almost sullenness, the women are quite the opposite and
can’t be halted in full flow and with it we learn all about the substrata of
family life. Maybe it is overlong and
maybe some of the content drags on a bit but the effect is so natural and so
dramatic in precisely a compellingly natural way that you get hooked.
Several scenes, usually involving long
dialogues are fascinating and of a type seldom scene in the cinema these days
and Herzi’s last main appearance as the belly dancer is stunning. This is a film that warrants more than one
viewing as it gives us real-life drama and many comments about life and
immigrants that are most insightful.
Director/Screenwriter Abdellatif Kechiche can take a bow.
*
* * *++
» Leave a comment
- Your E-mail address is never displayed. If you enter it, it will only be visible to the blog author
- The line and paragraph breaks automatically